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JournalStudio Notes

Thoughts from the Atelier

Studio insights, creative process reflections, exhibition announcements, and occasional letters to collectors.

Acrylic, Texture & Touch: How I Build a Painting from Nothing
Featured
Creative Process

Acrylic, Texture & Touch: How I Build a Painting from Nothing

People often ask me what I use to create my paintings. The honest answer is: whatever the painting asks for. Acrylic paint, modelling dough, Chinese ink, rocks, cardboard — every material has a voice, and I listen.

February 20, 20266 min read
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The Art of Ink: How Chinese Brushwork Changed My Practice
Studio Life

The Art of Ink: How Chinese Brushwork Changed My Practice

Black Chinese ink is one of the most demanding materials I work with. It does not forgive hesitation. It rewards confidence. It has taught me more about commitment than any other material in my studio.

January 18, 20265 min read
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Texture from Unexpected Places: Rocks, Cardboard & Polyester
Studio Life

Texture from Unexpected Places: Rocks, Cardboard & Polyester

The most interesting textures in my paintings do not come from art supply shops. They come from the street, from the garden, from the recycling bin. The world is full of materials waiting to become art.

January 3, 20265 min read
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Beyond the Flat Canvas: Sculpting with Modelling Dough
Creative Process

Beyond the Flat Canvas: Sculpting with Modelling Dough

A painting does not have to be flat. When I discovered modelling dough as a tool for building texture on canvas, it changed everything. Mountains have weight. They should feel like it.

December 15, 20256 min read
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Bringing Nekyta's Art into Your Home: A Guide for New Collectors
Collectors

Bringing Nekyta's Art into Your Home: A Guide for New Collectors

Owning an original painting is one of life's great pleasures. It changes the way you experience a room — the way light falls, the way a space feels. Here is everything you need to know about collecting original art.

November 28, 20255 min read
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