JournalStudio Notes

Thoughts from the Atelier

Studio insights, creative process reflections, exhibition announcements, and occasional letters to collectors.

The Language of Gold Leaf: Why I Work with Ancient Materials
Featured
Creative Process

The Language of Gold Leaf: Why I Work with Ancient Materials

Gold leaf has been used by artists for over three thousand years — from Byzantine icon painters to Renaissance masters. When I first began incorporating it into my abstract practice, I was drawn not to its opulence, but to its vulnerability.

February 14, 20266 min read
Read More
Studio Notes: Behind 'The Gold Series' at Whitespace Gallery
Exhibition

Studio Notes: Behind 'The Gold Series' at Whitespace Gallery

Six months of work. Forty-two studies. Eight final canvases. The Gold Series began with a single question: what does grief look like when it starts to heal?

January 28, 20268 min read
Read
Florence Residency: How Villa Medici Changed Everything
Studio Life

Florence Residency: How Villa Medici Changed Everything

I arrived in Florence in October with two suitcases and a vague intention to 'be inspired.' What I didn't expect was the way the city would dismantle every assumption I had about my own practice.

January 10, 202610 min read
Read
On the Practice of Not Knowing
Creative Process

On the Practice of Not Knowing

The most honest thing I can say about my creative process is that I rarely know what a painting wants to be until it tells me. This is uncomfortable to admit in a world that rewards intention and concept.

December 22, 20255 min read
Read
Collecting Art: A Gentle Guide for First-Time Buyers
Collectors

Collecting Art: A Gentle Guide for First-Time Buyers

I often speak with people who love art but feel intimidated by the idea of buying it. They worry about making the 'wrong' choice, about not knowing enough, about being judged by gallery staff.

December 5, 20257 min read
Read
Materials Matter: Why I Only Work with Archival Supplies
Studio Life

Materials Matter: Why I Only Work with Archival Supplies

When someone purchases one of my paintings, they are making an investment — not just financial, but emotional. They are trusting that this object will outlast them, that it will be something they can pass on.

November 18, 20254 min read
Read